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Mike Gerber
ALLi Author Member
Location: United Kingdom (the)
Genres: Other
Skills: Press/Media Interview
Born in 1953, I am a London-based journalist and now also a partner in the Vinyl Vanguard record shop.
I left school at 16 and worked in dead-end jobs before taking a history with Spanish degree in my thirties, then a post-graduate trainee journalist course.
My career in journalism, as a writer and editor, as a staffer and freelance, began in the late 1980s. As well as covering a wide range of industries, my features have appeared in the Guardian, the Observer, the Financial Times, New Statesman, Lloyd’s List, and on various TV station Channel 4 websites, the latter including a thousand-word piece on black music connected to a documentary broadcast by the station.
My music journalism includes a book on jazz that was traditionally published in 2009, and features in the jazz music quarterly Cadence, in the IAJRC Journal of the International Association of Jazz Record Collectors, in fRoots (formerly Folk Roots), in Songlines, in Long Live Vinyl, and currently I am a regular freelance contributor to We Jazz magazine.
I am now looking to self-publish what is effectively the second edition of my book.
Mike Gerber's books
Kosher Jammers: Jewish connections in jazz – Volume 1 The USA
Jews have been a major presence in America's jazz, as musicians and as jazz facilitators, and in Kosher Jammers: Jewish Connections in Jazz – The USA, Gerber tells that story with a rigour worthy of academia but with a feature writer's creative flair.
Besides drawing on a plethora of second-hand sources, Kosher Jammers is absolutely packed with first-hand material, from interviews, phone calls and emails with jazz figures, Jewish and otherwise – including possibly the last ever interview with swing era icon Artie Shaw. Among the many other interviewees are black jazz figures such as saxophonist Buddy Collette and the critic Stanley Crouch, as a key theme running through the book is the relationship between Jews and African Americans in jazz.
The impact on jazz of tunes written by Jewish "Great American Songbook" composers such as George Gershwin, Harold Arlen and Johnny Green is also covered, And the book features an extensive study of the Jewish-jazz phenomenon, whereby musicians from Ziggy Ellman in the 1930s to contemporary artists, notably John Zorn, have sought to create jazz that draws on Jewish music influences and themes. Gerber drives home the point that, even had there never been a single Jewish jazz musician, Jews will still have contributed massively to the development of jazz in the United States, as managers, impresarios, venue owners, label founders, writers and such.