Animation has been part of television since the start of the medium but it has rarely received unbiased recognition from media scholars. More often, it has been ridiculed for supposedly poor technical quality, accused of trafficking in violence aimed at children, and neglected for indulging in vulgar behavior. These accusations are often made categorically, out of prejudice or ignorance, with little attempt to understand the importance of each program on its own terms. This book takes a serious look at the whole genre of television animation, from the early themes and practices through the evolution of the art to the present day.
Examining the productions of individual studios and producers, the author establishes a means of understanding their work in new ways, at the same time discussing the ways in which the genre has often been unfairly marginalized by critics, and how, especially in recent years, producers have both challenged and embraced this "marginality" as a vital part of their work. By taking seriously something often thought to be frivolous, the book provides a framework for understanding the persistent presence of television animation in the American media--and how surprisingly influential it has been.

Once consigned almost exclusively to Saturday morning fare for young viewers, television animation has evolved over the last several decades as a programming form to be reckoned with. While many animated shows continue to entertain tots, the form also reaches a much wider audience, engaging viewers of all ages. Whether aimed at toddlers, teens, or adults, animated shows reflect an evolving expression of sophisticated wit, adult humor, and a variety of artistic techniques and styles.

The Encyclopedia of American Animated Television Series encompasses animated programs broadcast in the United States and Canada since 1948. From early cartoon series like Crusader Rabbit, Rocky and His Friends, and The Flintstones to 21st century stalwarts like The Simpsons, South Park, and Spongebob Squarepants, the wide range of shows can be found in this volume. Series from many networks—such as Comedy Central, the Disney Channel, Nickleodeon, and Cartoon Network— are included, representing both the diversity of programming and the broad spectrum of viewership. Each entry includes a list of cast and characters, credit information, a brief synopsis of the series, and a critical analysis. Additional details include network information and broadcast history.

The volume also features one hundred images and an introduction containing an historical overview of animated programming since the inception of television. Highlighting an extensive array of shows from Animaniacs and Archer to The X-Men and Yogi Bear, The Encyclopedia of American Animated Television Series is an essential resource for anyone interested in the history and evolution of this constantly expanding art form.

The United States government discovers, to its horror, that the creatures featured in animated cartoons are not fabrications but real beings. Fearing the social and political consequences of the discovery being made public, they proceed to exile them off Earth to another planet. However, things do not go according to plan...

The story is narrated by Olivia Thrift, a.k.a. the Manitoba based pre-teen super-heroine Captain Fantastic. After filling us in about her background, she then proceeds to speak about her first meeting with the members of the Canadian Consortium of Super-heroines, all of whom are her age or slightly older and based in different parts of Canada. She is particularly thrilled to meet her idol Gerda Munsinger, a.k.a. Muscle Girl, also a Manitoban by residence, and even more so when Gerda befriends her.

However, the joyousness of the occasion is marred when Captain Fantastic's arch-enemy Gridiron Girl arrives and tricks Captain Fantastic into literally fighting a losing battle with her. In doing so, Olivia loses the personal confidence required to sustain her heroic persona, and becomes meek and helpless, saved only from death by the timely intervention of Muscle Girl.

It is discovered that a villainous race of men known as the Merch are responsible for this, as well as the kidnapping of the members of the Consortium en masse when Gerda and Olivia are otherwise engaged. As a consequence, Muscle Girl is forced to call the aid of her colleagues in the International League of Girls with Guns- The Brat, an alien only resembling a toddler; Power Bunny, a truly animated rabbit; Cerberus, the all-mighty Princess of Puppies; and Candy Girl, the Titan of Teens- to help her and a temporarily powerless Olivia set things right.

Yet it will not be an easy task. And before it is over, they may all succumb to multiple kinds of weakness that will destroy them permanently....

Major Hamilton Pomeranian, once a highly decorated Star Soldier, has been discharged for a recently gained injury. Now forced into a non-military life, she is uncertain about what to do until reconnecting with Jefferson Ball, an old army buddy, and agreeing to assist her at her "job"- not realizing exactly what that will involve until it is too late..

Animated cartoon characters. Many are beloved, yes. But many more are simply ignored, filed away and destroyed when they are no longer needed. Until now. This is their story.

There never was a heroine like Jefferson Ball. And, thankfully, there may never be.She is, simply, the most powerful humanized female dog in a universe full of them. Faster, stronger, more attractive to boys. Unbeatable as a lover. Unfortunately, her brains are not up to this quality, but don’t tell her that.About the only one who can is Major Hamilton Pomeranian, the diminutive ex-soldier who is Jeff’s best friend and conscience. When she gets too big for her limited clothing, Hamilton tells her what for. And it’s usually only after that point that they are able to escape from whatever convoluted situation they find themselves in.This potential collection will have readers both laughing and awestruck at the events that happen. And, hopefully, you will be one of them.

This the story of the Pups, a popular canine comedy team who lead a double life as super-powered enforcers of justice, thanks to a common intersecting piece of their past which they discover in the course of meeting each other for the first time.

They, and most of the dogs of North America in this future time, are sentient, intelligent beings through “experimentation” of the U.S. government which did not go the way it was planned. Dogs now exist as a persecuted minority in the U.S., though they take measures to protect themselves socially and economically from exploitation by the humans. A road accident outside of Rolling Fork, Mississippi, and the sudden appearance of a meteor from outer space, was the source of their mysterious powers.

Complications come in the form of the Genius, a super-villain intent on both conquering the world and destroying the Pups. Can the sextet of heroes possibly overcome the villain and save themselves from destruction? Stay tuned…